Ceri Shaw


 

Stats

Playlists: 6
Blogs: 1936
events: 233
youtube videos: 537
SoundCloud Tracks: 21
images: 827
Files: 55
Invitations: 9
Groups: 32
audio tracks: 1098
videos: 8
Facebook
 

Blog


Attached is the flier made up by Tom Owen ( Welsh Society of Portland ), highlighting the musical events of interest to the general public at the North American Fesitval of Wales [NAFOW], in Portland. Please circulate as widely as you can, to help promote the wonderful Welsh festival happening this week! For those not in the right time zone to actually join with us this week, I thought you might appreciate knowing about the event anyway.

NAFOW Music.pdf
Posted in: default | 0 comments

An Interview With Lorin Morgan-Richards


By Ceri Shaw, 2010-08-26

Lorin Morgan-Richards is a composer, author, illustrator and purveyor of finely crafted dark humor handmade books. He is a direct descendant of Welsh American poet Robert Dennison Morgan. Lorin will be appearing at our booth at Wordstock on October 9th- 10th. He will be presenting a limited edition print of 'The Goodbye Family in Wales' to the first 100 visitors to the AmeriCymru table on both days. Be sure to arrive early! The location of our booth can be found here ( booth 620 ) and samples of Lorin's work can be found in the slideshow at the bottom of this page .

AmeriCymru: Your latest book is titled 'A Boy Born From Mold' . Care to give our readers an idea of what they will find between its covers?

Lorin: Diolch Ceri for allowing me the opportunity for this interview and giving me a chance to share my passion. 'A Boy Born from Mold and Other Delectable Morsels' is my second published book through my small press, A Raven Above Press, which encompasses dark humor short stories with pen and ink illustration. Readers often call my books 'Gothic Fairytales' because they are reminiscent of Victorian Era moral stories.

'A Boy Born from Mold', my title story, reveals a mysterious boy named 'Rune' who lives in a basement, after having been hatched from an old forgotten family quilt. His neighbor upstairs is a lost little girl who seeks knowledge about her family's heritage. The two intersect and the story unravels so to speak.

I find it interesting the symbolism and metaphors that readers pull from this story. Some have thought of it as giving insight into some sort of Pagan beliefs. One commented it was a metaphor for the Celtic Tree of Life. The little girl upstairs represents an above plane while 'Rune' resides in the below or Otherworld, and the remaining between provides the journey towards consciousness of spirit and self interconnected. I will not say if these are accurate or intentional in any way, but obviously, the story itself was meant to fascinate adults as well as children, and like one reviewer mentioned, this story is fundamentally about finding oneself. 'A Boy Born from Mold' is just one of seven delectable morsels in the book.

AmeriCymru: You have an interesting, perhaps unique, method of publishing your work.Can you give us a brief idea of the process by which you individually handcraft each volume and the materials you use?

Lorin: In making 'A Boy Born from Mold and Other Delectable Morsels', I begin by gathering tools and my materials. After this, I use an Epson printer to make two sided booksheets. Both the booksheets along with the endsheets are folded into fourths and are cut to size. I then measure out and paste down cotton cloth and hinges to the first and last signatures. One by one I sew the signatures together using Irish linen thread, and these are knotted and glued. After I glue the spine, I attach a ribbon and let it dry. I then begin constructing the hardcover case. Last steps are adding the title to the spine with my foil stamp machine, gluing the pages to the case and pressing each book for several hours. Each book is signed and limited in edition to 400 copies. The bookbinding process is hard to measure in time, but once the pages are printed it takes a little over an hour for each book. Interestingly, the sewing is both the most time consuming and therapeutic part of my bookbinding.

AmeriCymru: Is there any significance in making them limited edition?

Lorin: In the ancient tradition of making things by hand, each book is interconnected with the author and thus has its own life principles. To further emphasize this, I made each part of a limited edition of 400 copies. However I wont delve into the significance of the number 400.

AmeriCymru: On your website we learn that you are of Welsh and Amish ancestry. How did you become aware of your Welsh ancestry? Does it influence your work in any way?

Lorin: I believe dreams connect us to our ancestors and it is through creativity that we can tap into this in the conscious state. Creativity is a sort of trance that we have as artists that erases time and space. My mother's side, the Morgan family, is originally from Wales. I began questioning my identity pretty early on, but didn't understand or learn about it until I was in college when records and books became more readily available. By this time, unfortunately, my grandparents had also all passed. From here, I became heavily involved in genealogy and found in the US Census reports my direct ancestor 'John Morgan' as being born in Wales. Last year, I visited Cardiff and did more research, but found that the commonality of the name 'John Morgan' was equivalent to 'John Smith'. So my research continues. But in the meantime, I've begun taking steps to reconnect by learning Welsh and will be incorporating even more of the culture into my writing and illustrating.

AmeriCymru: You are currently working on several written projects with a Welsh linguist in Swansea. Care to tell us more?

Lorin: In the fall, I will be releasing an audiobook of 'A Boy Born from Mold' with narration by Welsh linguist Jason Shepherd. I met Jason through 'The Learn Welsh Podcast', an informative podcast that he created and hosts every week. I am very lucky to have his talents for this project. His voice is simply stellar and his readings add a lot of charismatic dimension to the stories.

AmeriCymru: Do you see yourself as primarily any particular type of artist - painter,musician or writer?~ Do you have a favorite medium to work in and if so, what is it about that medium?

Lorin: I am most comfortable with writing and pen and ink illustrations. My filter tends to be cut ups of what is around me blurred into my own feelings and interests of the Victorian era. I don't try to categorize myself but I do recognize my influences are a bit more macabre than usual.

AmeriCymru: What is next for Lorin Morgan-Richards? Do you have any new works in the pipeline?

Lorin: On September 12th, just in time for Grandparents Day, A Raven Above Press will be releasing a book entitled '13 Disturbing Postcards to Send to Your Grandparents'. This book is a lighthearted take on the mushy postcards kids send to their grandparents. I personally had terrific grandparents, but I thought it might be funny to create a book that is polar opposite to the postcards available today. I will also be releasing a miniature illustrated alphabet book that I will have finished by Halloween entitled 'The Terribly Mini Monster Book.

AmeriCymru: Any final message for the members and readers of AmeriCymru?

Lorin: Thanks for the appreciation and I hope that I am able to meet some of you at Wordstock in Portland! Hwyl fawr am nawr!








Posted in: default | 0 comments

AmeriCymru spoke to Lyn Ebenezer about his fascinating new book 'Operation Julie' published by Y Lolfa. The book investigates what was at the time, the biggest UK police anti drugs operation in history. Allegedly 50% of the world's LSD supply was manufactured in the small Welsh village of Llanddewi Brefi. For more background information read the press release here .




AmeriCymru: When did you first become aware of Operation Julie? Care to tell our readers a bit about the background?

Lyn: I did not become fully aware of Operation Julie until the week-end of the arrests in 1977. Yet there were pointers that should have made me aware that something strange was happening. There were strangers more than usual in the bars of the local pubs in Tregaron. They passed themselves off as bird watchers. And a few weeks before the swoop I was told by a local man of a strange encounter with a stranger who carried a holdall. He began talking to my friend and they shared a few pints. As the stranger was preparing to leave he offered my friend a considerable sum of money for keeping his holdall for a few days. My friend, believing the man to be a bank robber or a member of the IRA made an excuse and refused.

Following the swoop, others mentioned similar experiences. In fact I know of one person who burnt over 10,000 he was safekeeping in his coalhouse for one of those arrested in case the police discovered it and traced it back to him.

AmeriCymru: Were any of the villagers in Llanddewi Brefi suspicious of the 'hippies' who had settled amongst them? Was there any friction?

Lyn: At Tregaron there was no friction between Richard Kemp, the brilliant chemist and his partner, Christine Bott. They, of course, were not hippies but seekers of the Good Life who kept goats and grew organic vegetables. They were rather reserved, but their next door neighbours found them to be friendly. At nearby Llanddewi Brefi, Alston Hughes, or Smiles one of the principal dealers - was a living legend. He was gregarious, funny and generous. He would throw money around like confetti. In fact, as I state at the end of my book, should he and his friends return there today, I have little doubt that they would be welcomed.

AmeriCymru: It has been suggested that the people arrested in Operation Julie were responsible for 90% of the UK supply of LSD and 40-60% of the world's supply. How accurate do you think these figures are?

Lyn: Many of the figures released to the press were massaged. I have no doubt of that. Operation Julie was political. Its brief was to stop LSD production in the UK. But as Christine Bott said in court, it was more to do with the money being made rather than with drugs. I also believe that the Government was wary of the young peoples popular movement that was rapidly spreading from Haight Ashbury around the globe. There was also a political element being Operation Julie. Dick Lee, the Operation Commander had dreams of establishing a UK-wide drugs squad like the FBI. So he began feeding the press with some exaggerated stories in order to further his case.

Differing figures were bandied about. It was said that the two LSD production rings were responsible for from 40 60% of LSD made world wide and 90% of LSD made in Britain. It was also said that Operation Julie led to such a scarcity of LSD that it rose in price from 1 a tab to 8. I would rather believe the Release organization that stated that the price of a tab of LSD soon after the trial was as low as 10 pence a tab for the buyers, who sold it on at the same prices as before, 1 a tab on the street. Operation Julie may have dented the trade, but LSD, following the sentencing, was as easy to obtain as cannabis.

AmeriCymru: In a recent press release it is stated that you were able to record recent interviews with people who were involved in these events. How difficult was it to track down the participants?

Lyn: My interviews over the past 30 years have involved mostly ex police officers who did not wish their names to be made known. But I am friendly with Alston Hughes friend and chauffer Buzz Healey, who is a charming man. He was present when exchanges were made with 50,000 tablets changing hands for 62,000 at one bar and worth 125,000 of LSD being exchanged in another bar. Healey has not disclosed any incriminating evidence and I have never pushed him for information. He was not involved in the LSD conspiracy but was jailed for 12 months on charges relating to cannabis. He still lives locally and is much liked.

AmeriCymru: David Litvinoff plays a central role in these events and indeed you devote a whole chapter to him in the book. Care to tell us a little about his background?

Lyn: Litvinoff, like Alston Hughes also became a legend but some six years before Operation Julie was set up. He had been involved with the Kray Brothers in the East End of London and had been forced to flee. Ronnie Kray had slashed him across his face with a sword. He was also deeply involved with the pop scene and the Chelsea Set, who included the Rolling Stones and Eric Clapton. He worked as dialogue coach on the film Performance. Days after Hendrix died, Litvinoff showed me an invitation card he had received for Jimis funeral. Stuck on the card was a boiled sweet impregnated with LSD. Those who were not able to make the funeral were told to take the sweet at the exact time of the burial.

Litvinoff played me back a telephone conversation he had made with Bob Dylan. They seemed to be on friendly terms. It is believed that the character Davies in Harold Pinters play The Caretaker was based on him. Litvinoff left suddenly in the early seventies. He had been involved with drugs, undoubtedly, and I believe that he was the harbinger of the hippy invasion of the area. He later hanged himself.

AmeriCymru: What was the American connection in all this? We hear about visits to mid-Wales by Jimi Hendrix and others but were any Americans involved in the manufacturing operation itself?

Lyn: Plas Llysin, where Richard Kept manufactured his LSD at Carno had been bought by Paul Joseph Arnaboldi, an ex New Jersey schoolteacher. He was later employed by an American construction company in the Middle East where he sustained a serious injury. He was a friend of LSD prophet Timothy Leary and The Brotherhood of Eternal Love. He bought a home at Deia on Majorca and then bought Plas Llysin, on the pretence that he was there completing a biography of President Kennedy. He was at the top of the conspiracy to manufacture and marketing of LSD. At the time of the Opeartion Julie swoops he is believed to have been tipped off. He fled to Majorca where he was arrested but was released because no extradition treaty existed between the UK and Spain. He then flew to America and disappeared, but is believed to have died at Deia..

AmeriCymru: How did the UK press react to these events? Do you think on balance that they reported accurately and played a positive role?

Lyn: As I previously mentioned, the press was in Dick Lees pocket. As soon as the premier players in the affair had been jailed, Lee published his book on his part in Operation through the Daily Express, ghost written by an Express journalist, Colin Pratt. Another officer, Martyn Pritchard published his own memoirs through the Daily Mirror. Wild and exaggerated stories were circulated involving a plot to dump LSD in a Welsh reservoir in order to turn on the whole of Birmingham. Lees book is also riddled with mistakes. In fact, the first impression had to be called in after damages of 1,000 were awarded to a man libeled in the book. Much was made by Lee of a terrorist connection involving Bader Meinhoff, The Angry Brigade and the IRA. But not one of those charged was accused of anything remotely connected with terrorism.

AmeriCymru: In what way was the area permanently changed? How did the rural community react to the glare of international publicity?

Lyn: The influx of hippies to rural Wales coincided with the great influx of incomers in general in the sixties and seventies. Small communities virtually changed overnight. Yuppies and Good Lifers from the cities were able to sell their homes for around half a million pounds and buy a cottage in rural Wales for around 10,000. The LSD conspirators were a part of that influx. Having said that, many of these semi-hippies who settled down were largely welcomed. Otherwise they would not have been able to hide their secrets so successfully and for so long.

AmeriCymru: Do you think there is any truth in the rumour that there are 'undiscovered stashes of LSD and hidden fortunes' concealed in the hills and fields around Llanddewi Brefi?

Lyn: I believe the stories of hidden fortunes have been concocted by mischievous locals, as well as by friends of Smiles who wish to perpetuate his legend.

Any final message for the members and readers of AmeriCymru?

Lyn: Be careful what you believe. Fact and fiction have been so confused that it is almost impossible to separate the one from the other. Still, be they fact or fiction or a little of both they still make a great story!

The Last Bard Standing live poetry competition has been combined with our Thursday night event at the Buffalo Gap. BOTH the live poetry and live story telling events will now take place at the Buffalo Gap on Thursday October 7th. Tickets for Friday nights event will be valid for Thursday night and we will be emailing everyone who has bought a ticket for Friday night individually over the next few days. Anyone who cannot make it on Thursday night will be entitled to a refund. Meanwhile we will be announcing the full and final program for the Night of The Living Bards event some time in the next 24 hours.

Alternative plans for an event on the night of Friday October 8th will be announced shortly. We apologise for the confusion but we have been overwhelmed with preparations for our presence at the Wordstock festival on 9th-10th October. We will be releasing full details of our presence at that event in this group shortly.

Night of the Living Bards - Left Coast Eisteddfod

Where: The Buffalo Gap 6835 SW Macadam Ave - Portland, OR 97219
When: Thursday, October 7 from 5:00 pm to 11:55 pm
Posted in: default | 0 comments

From David Western's Portland Eisteddfod Lovespoon Blog "Well, when the spoon arrived in the mail, my husband and I were on our way out. So, naturally, my husband said, "Well? let's open it up!" So, we carefully cut tape and removed layers and layers of bubble wrap, to arrive at this lovely spoon. I held it in my hands, and we both admired Dave's carving for a few minutes, and then we went on our way, only a little behind schedule. :)"...... MORE

Posted in: default | 0 comments


An extract from the book 'Operation Julie'


"Llanddewi Brefi is renowned for the miracles of St David and has been portrayed infamously on the Little Britain television series. But it also has another claim to fame. Rather surprisingly, this small village in west Wales was the centre of the world LSD drug trade in the 1970s. In a new book by Lyn Ebenezer, he discloses who was making and taking the drug in the area and how the polices so-called Operation Julie managed to bust the largest drug ring in the world in 1977.

The author, who was a journalist on the Welsh newspaper Y Cymro at the time, tells how Llanddewi Brefi became a desired destination for pop-stars such as the Rolling Stones, Jimmy Hendrix and Eric Clapton. Theyd been invited to the village by local resident David Litvinoff in the 1960s. The author recalls, It is pretty certain that Bob Dylan stayed at Litvinoffs house for six weeks during the summer of 1969, just after hed been at the Isle of Wight pop festival. Keith Richards from the Rolling Stones admitted that hed been to Llanddewi Brefi too and that whilst staying there hed used every illegal drug in existence and some which werent in existence!

However, the Operation Julie book deals mainly with the famous police raid which brought to a juddering halt the enormous drug network, which had produced pure LSD worth millions of pounds in rural Wales. In March 1977, the police arrested dozens of people and found six million tabs of LSD the largest stash of illegal drugs ever found. More than 800 police officers took part in the operation and 120 people were arrested in total. LSD tabs with a street-value of 100 million were discovered. This was the largest police case of its kind and brought Llanddewi Brefi, Tregaron and Carno to world attention overnight.

Operation Julie includes a great deal of new information never published before and records recent interviews conducted with some of those who were involved. And as a local journalist in situ at the time, Lyn Ebenezer gives his own first-hand account and his insight into the affair. In his introduction to the book, he recollects:

Those arrested were said to have been responsible for 90 per cent of the LSD produced in Britain and 60 per cent worldwide. That is the official line. It will become evident, however, that truth and fiction are still inextricably mixed over 30 years later. But the facts, incredible as they are, seem to outweigh the fiction. Here I include both The story of Operation Julie is, if you believe the official spin, the story of an ideal that went wrong, greed and audacious enterprise on one side and of diligent, selfless and determined police work on the other. But it is also a story of political infighting and lasting bitterness. Stories abound of undiscovered stashes of LSD and hidden fortunes. There are tales of tip-offs by disgruntled police officers and even a royal connection

There remain many unanswered questions. There are, for instance, accusations that statistics were deliberately massaged in order to strengthen the case for a national drugs squad. And if chemist Richard Kemp had produced LSD worth 2.5 million during his seven years of production, as was alleged, why was it that only 11,000 of his money was ever discovered?

Were the dangers of LSD exaggerated? Much was made of Kemps ability to produce the purest LSD in history. Surely, if it was the purest, was it not also the safest? After all, the dangers of LSD lie in its impurities. In fact, despite lurid newspaper accounts of the dangers of acid, no evidence whatever was produced to prove that Kemps LSD caused any deaths.

There are accusations that some officers, the operations commander Dick Lee in particular, leaked doctored information to the press, especially to the red tops, as a means of strengthening the case for the formation of a national drugs squad. Papers like the Daily Mirror and the Daily Express in particular, following the sentencing, were laughably sensational. It is no coincidence that the only two books immediately published on Operation Julie appeared with the cooperation of those very newspapers. Dick Lees book Operation Julie (W H Allen, 1978) was co-written by Colin Pratt of the Express while Busted by Martyn Pritchard and Ed Laxton (1978), riddled with police and underworld parlance, was published by Mirror Books. Was it a coincidence that the journalist who first alerted me to the swoop was a Daily Express reporter?

I have included a chapter on a fascinating character who appeared in Llanddewi Brefi seemingly out of nowhere at the end of the sixties. David Litvinoff was not directly involved with the Julie story, but was very much a part of the drugs scene. He attracted many pop stars including the Stones, Eric Clapton, Jimi Hendrix and possibly Bob Dylan to his house. Albeit unaware of the fact, he was the harbinger of the influx of free spirits to the area

My motive in writing this book is not to be judgemental. Largely it is, rather, a story of how a quiet area of mid Wales was changed completely by incomers that embraced a different culture and way of life. Yet many of those involved in the LSD conspiracy were accepted by the local community. Had they not been embraced or at least tolerated their illegal venture would never have lasted so long. It is still difficult to find anyone in the Tregaron and Llanddewi Brefi area that will condemn them. In fact, they are regarded as likeable rouges, much like the areas own Robin Hood, the sixteenth-century robber and folk-hero Twm Shn Cati.

So, even though this book follows the main events of Operation Julie, it is a revised overview. It is also the story of rural communities that were changed completely, and remain completely changed. LSD may not have changed the world, as its proponents had hoped it would, but it did, albeit inadvertently, change forever a rural way of life.


The book is published by Y Lolfa on 26 August 2010 and is available on their website www.ylolfa.com at 9.95.


Operation Julie photos by Raymond Daniel attached here ( PDF )
Operation Julie - Adran Lluniau indd.pdf


Posted in: Books | 1 comments

A Literary Dunkirk?


By Ceri Shaw, 2010-08-19
This is a copy of an email which we are currently circulating. Please let us know if you can help.


Hi

Please allow me to introduce myself. My name is Ceri Shaw and together with my partner Gaabriel Becket I run the AmeriCymru website which is a networking site for the Welsh, Welsh Americans and Cymruphiles all over the world. We also organise an annual event in Portland , Oregon called the Left Coast Eisteddfod. This year we have arranged a major presence at Wordstock ( October 7th-10th 2010 ) which is the US NorthWest's equivalent to the Hay on Wye festival in Wales. The estimated attendance is between 15 and 20 thousand and we have a featured panel discussion ( Welsh Identity in Literature: From Dylan Thomas to Doctor Who ), several workshops and a booth at the event. The festival is in part sponsored by Powell's who are the second largest online distributor of books ( second only to Amazon.com ) and whose physical bookstore in Portland takes up an entire city block. Our goal at this event is to stimulate interest in, and attempt to establish Anglo-Welsh literature as a distinct and marketable niche with the US reading public. Here are a few links to further information about the event and our role in it:-

http://americymru.ning.com/profiles/blogs/wales-at-wordstock

http://www.welshicons.org.uk/news/literature/you-cant-keep-a-welshman-down-wales-at-wordstock/

We operate in the US as a 501c3 ( registered charity ) and as such we raise funds to promote Wales and Welsh culture in the States. As you can see from the above link to the WelshIcons site we recently missed out on $20,000 worth of funding by a mere 32 votes in the Chase Manhattan Community Giving contest on Facebook. We are proceeding with our plans despite this and will be flying over a number of authors for this event and featuring local authors of Welsh heritage or with an interest in Wales. Next year we plan to do likewise and hopefully in larger numbers.

At the moment we have a problem which we believe is also something of an opportunity. Shipping books in quantity from the UK or via US distributors is incredibly expensive. Also it is frequently the case that US distributors do not have the titles we would like. We are appealing to recipients of this email to consider whether they have copies of their works that they would be willing to mail for display and sale at our booth at Wordstock. We are not expecting large quantities, just a book or two will make all the difference. We will gladly send you the full purchase price of any books sold unless you wish to donate your work in which case the money will be used to defray other expenses ( airfares, accommodation etc ). I should stress that we cannot refund the cost of postage. I appreciate that this is an unusual request but these are hard times and we want to avoid a situation where we have a booth at a major literary event full of people all hungry to buy books and nothing on it except a few AmeriCymru tshirts.

Above all ,this is a major opportunity to promote Wales and Welsh culture in the US and we are appealing to you to help us make it a huge success. For our part we pledge to continue with his work until such time as Wales is very firmly on the literary map here in the States.

For further information please email Ceri Shaw at americymru@gmail.com
Posted in: default | 3 comments

Wales at Wordstock


By Ceri Shaw, 2010-08-18

The Venue

As part of this year's Left Coast Eisteddfod celebrations we are presenting a panel discussion at the prestigious Wordstock literary festival ( 7th-10th October 2010 ) entitled 'Welsh Identity in Literature: From Dylan Thomas to Dr Who'. Featured panel authors include Niall Griffiths, Harrison Solow and Chris Keil. We are pleased to announce that this will take place at 11 a.m. on Saturday morning in the OEA Performance Area at the Oregon Convention Center ( pictured left ). In addition two of our authors will be presenting workshops at the event ( see details below ). The AmeriCymru booth, where you will find a wide variety of Anglo-Welsh literature for sale and signing sessions by our featured authors ( including Peter Griffiths and Lorin Morgan-Richards), will be open throughout the event. See this floor plan for our location ( we are at booth 620 )



The Authors



Check the Wordstock blog here daily for posts by our featured authors. Find details of featured authors in the slideshow above .


The Panel Discussion

Welsh Identity in Literature: From Dylan Thomas to Dr Who - 11 a.m. on Saturday morning ( 9th Oct ) in the OEA Performance Area at the Oregon Convention Center

Featuring - Harrison Solow, Chris Keil and Niall Griffiths.

What is Anglo-Welsh literature and why should anyone care? As historian Gwyn Williams once famously said:- The Welsh as a people have lived by making and remaking themselves in generation after generation, usually against the odds, usually within a British context. For the Welsh speaking minority in Wales cultural identity is not a problem. The language defines it. For the English speaking majority, this question is not so easily answered. In Wales we see the same TV programs , read the same newspapers as our neighbours do a few miles away across the English 'border'. Wales is a popular vacation spot and in the summer months there are areas where you will be lucky to hear a Welsh accent let alone hear the native language spoken. And yet for centuries the Welsh have refused to be subsumed or absorbed by the Anglo-Saxon cultural Borg . Welsh authors are rarely included in the English literary canon. Perhaps there is a reason for that? How does Welsh literature help to preserve Welsh identity? What lessons does this hold for others attempting to maintain an identity in the face of cultural globalization.

From 'Mr Vogel' by Lloyd Jones - When was Wales? Wales has never been, it has always been. he rambled on to his next victim, Myrddin the schizophrenic, who fortunately) was asleep. Ill tell you something for nothing. he said, true Wales is never more than a field away, and true Wales is always a field away, like Rhiannons horse in the Mabinogi. Got it?

We asked our panelists to respond to the followowing question:- How do you think Welsh writers, writing in English, contribute to establishing a distinct Welsh cultural identitiy. Do you think there's anything unique about the Welsh experience or about Anglo-Welsh literature in this regard? Here are their responses:-

Chris Keil - "What do you call it? Welsh writing in English? English-language writing in Wales? If youre not confused you dont understand the situation. The one constant is that cultural politics are always changing. In the last thirty or forty years the languages have inverted their relationship to each other, and Welsh is now the speech of the elite. This puts English- language writers in Wales in a new place. For me, the salient, abiding characteristic is a sort of estrangement - from England, but also from Wales; not so much embattled/romantic/heroic, as just not-signed-up: a failure (and I mean that in the most successfulsense of the word) to invest in any of the big-noting nationalisms that compete for our souls. Its never a party-piece, either of dull fields and sullen rocks and angst, or of verbal tics and tricks and archness and cutesyness, boyo, look you. To invoke Mae West: Indeed-to-goodness has nothing to do with it.

Niall Griffiths - "Difficult to answer briefly .Let's just say that the less power London has, in every realm, the better for the UK and Europe and indeed humanity as a whole. Wales is bi-lingual, and gloriously so; being able to mediate the world through two languages is very beneficial and enriching."

Harrison Solow - "There is everything unique about the Welsh experience. I have said in various interviews about my writing about Wales that "no word equals its referent, and that the meaning of what is approximated in words lies in the shadow of them in a different realm altogether." I believe "there is a meaning in any experience described within a book, that cannot possibly be in the book." Nowhere have I seen this belief personified, indeed, living, except in Wales: The Welsh have survived as a nation chiefly by cunning and reserve...they play for time, they fence, they scout out the situation, but they do not commit themselves. Those sweet smiles are sweet, but they are well under control. It is performance that greets you, polished and long practiced, played on a deceptively cosy stage set with brass pokers by the fire... as Jan Morris says in her book A Matter of Wales. This is a mystical nation and the daily life of y Cymry remains a mystery to outsiders, some of it even to fellow Welshmen who do not speak Welsh and whose intrinsic and amorphous content is shaped by what is considered by some to be an alien form: English. My significant encounters in Wales have been with the Welsh speaking Welsh, whose intermittent appearance behind those smiles have both an I-Thou magnetism and a faint but discernable invitation; whose bland and wordless gazes bespeak the language of a somehow recognizable teulu (family) that sent me hypnotically to the Welsh Department of The University of Wales to embark on a journey of another kind: the lifelong acquisition of an ancient, bardic tongue. But when I won the Pushcart Prize for Literature for writing about Wales, even those Welsh speakers celebrated the notion that it is possible to write about Wales in English. I'm not so sure that one can write Wales without Welsh. But one can write about it. Wales is a state of mind, or rather a state of heart. It is the scent of lanolin in the air the hum of small cities in the loam beneath the oaks, the conviction of Celtic blood. It is an endless and sirenic song - as far from English sensibility as it is from German or Cherokee. Sometimes I think that any story about Wales should be told outside the written word. It is only because I cannot sing or paint that I write and what I write is a word-performance. It is eisteddfod."


The Workshops

The Writing Life: A Serious Pursuit of Self Definition - Harrison Solow ( OCC room B118 Saturday 9th Oct 9-10.15 am )

What is inspiring to one writer is debilitating to another. In this seminar, each of us will determine what the writing life means for us and thus propel ourselves further into it. Students will be given practical, personal advice and reference material to take away.

Writing Dialogue in the Novel - Chris Keil ( OCC room B119 Sunday 10th Oct 1.30- 2.45 )

The workshop contains lecture, discussion, examples and participation in writing, on technical characteristics of dialogue in order to intensify mood, compress/express social/emotional connections etc

STOP PRESS: Author Lorin Morgan Richards will be joining us at our booth at Wordstock where he will be selling and autographing copies of his works throughout Saturday and Sunday.



Posted in: default | 0 comments
   / 242